“I began by looking for someone else, "them, they, the others" to come along and make it happen for me. Most young artists live in this illusion. I thought "ok, I have talent, they will come." The reality is, we can't wait around for others to make it happen for us. I began doing demos with producers but after spending thousands at a time I was still never satisfied with the end result. I also was signed to a label for a few years. Still... I became frustrated because I could not follow my true creative path and what my soul was telling me. It was only when I formed Warrior Girl Music and began producing my music (some tracks with co-producers I trusted but most just me) that I came into my own. I began to trust my own musical instincts and it has proven to be the right path for me.”

gilli moon developed Warrior Girl Music as a creative arts company that is dedicated to unique artistic creations with a diverse blend of music, art and language - focusing on music and artistic development, a music production house, a record label, a music publishing and supervision arm and a Promotions division. Her mission is to create, produce and promote unique artistic creations that are guided by the artist's vision and under the artist's direction; creations that transcend race, age or gender and that embrace passion, love for music and life, personal excellence and global consciousness.

She cooked up her own online music ploy and released the temperamental angel  CD (2001), her 2nd solo album. This rebellious album, of which she wrote all the songs and co-produced with Evan Beigel (Atonaltheory, Badi Assad), sends powerful messages about self empowerment, embracing the full range of human passions and emotions that our personalities express, through a uniquely alternative, edgy sound mixed with gilli's soulful voice. temperamental angel is an expression of personality, of raw and sensitive emotions, and how we relate to the people in our lives through the various love-hate disguises of our personas. Keeping with her vision, much of the production was spontaneous following a very organic approach, with all recording using live instruments. She purposefully recorded it and mixed it to sound like a low-fi garage production, with the mastering infidelity and musicianship matching any major artist. The Star Newspapers, Chicago put her album at no. 9, in their top 25 records of the year.

TheGlobalMusic.com writes, “by her creation, gilli has allowed the listeners of her music to paint worlds of imagery with their minds. …The lyrics are unlike any that I've heard from a pop artist, and tell me that gilli moon is more about art and presenting her passions than creating die cut pop songs.”

After extensive touring across the United States and Australia, gilli moon released her third album Woman (2003), encompassing the emotions, passions and experiences of a young woman growing up, dealing with relationships and becoming self-empowered as an individual. "The songwriting is still intimate and drawing from personal anecdotes about my own life living around the world," gilli says. "The last record (temperamental angel) was dealing with a lot of angst, some anger and frustrations, a bit like a rebellious teenager, whereas Woman is like a coming-of-age piece, showing strength and convictions about life and love."

The Woman album touches topics including female sensuality and sexuality, relationships between the sexes, self-empowerment, openness and honesty, and how the media can often exploit the body and sex in a negative way. Life is about love of others and love of self, and gilli sends these messages through her music, lyrics and album art. She is very much into making "concept albums". While Woman is organic in approach, keeping the raw rock band style in recording, it also includes her playing the well-oiled piano and some electronic drum 'n bass and loops. More self-penned pop songs than ever, Woman is alternative, yet more radio friendly. With singles, “Woman” (and a music video,) “Organic,” a new Ice Jupiter Groove remix of the ’01 hit “Naked,” the album also features gilli’s delicious and sultry version of the INXS track “Need You Tonight.” As producer, gilli has teamed up with engineers Matt Thorne (The Eels, Trapt, Kate Ceberano) and Ken Moore. Plus guest artists include vocalists Cindy Alter (Clout) and Brazilian superstar Badi Assad, Gordie Germaine on guitar, Jeffrey Dean on bass, Evan J. Beigel on keyboards, Ric Craig on electronic drums and guest Brian Burwell on drums. She even rallied her local theatre company in Australia, Wollombi Valley Artist, to participate in a music video for the album, on their Richard III (Mad Max style) set.

“I'd hope that listeners connect in their own personal way, whether that is a mood created by the music, or perhaps assimilate with the lyrics. My songs are autobiographical, but my aim is to move the listener in a way that makes them think, change, grow, and see their own world in a new perspective. I don't share my music for personal glory. I get my own buzz playing it and writing it. What I love is the reaction from the audience showing me they assimilate and feel something. Too many people's senses are dull these days. I hope I can awaken them”.

Sometimes gilli incorporates her artwork in her live shows. She calls this “SensuArt”. SensuArt is a creative process bringing as many senses together in the one moment to create a spontaneous happening that takes the performance to a higher level beyond just one sense. “For example, on stage I often paint a large clear Plexiglas canvas while singing and moving with my band. This allows the audience to interact visually rather than just sonically. So many band singers just stand there front of stage and just sing. It's boring as hell; others dance or whatever. I do that too. But paint, the colors of paint, and the movement of the brush in my hands creates a new dimension to the performance. I first saw Picasso paint on glass on TV (a show from the ‘60s) and it gave me this idea. He painted like he was painting on the TV screen itself, on me. It was invigorating to be the subject of his art.

"I don't believe there's another act, anything else I do in life when all my senses are revving so simultaneously out of control (well perhaps one other act...) the feel of the paint, the ivory keys, the canvas texture, the heat off the amps and the lights, the pounding stage beneath my feet, what I see coming through me from deep inside me to surround me, the scent of the oils, the taste in the air, the power of my music and the greater power of the inner voices demanding me - enabling my soul's expression - I can't help it - it's when I'm most alive through these little deaths."

gilli moon’s last three albums, Girl In The Moon (1998), temperamental angel (2001) and Woman (2002)  received outstanding reviews and set her course as one of most intriguing and dynamic artists to watch out for in the music business. Her latest album, extraOrdinary life (2006), is an adventurous journey of autobiographical songs and stories, and intimate music conversations about gilli moon’s inner truths, emotions and passions, anecdotes about falling in love, and out of it, about living in Hollywood, and about freedom, humour, simplicity and a life long journey of discovery. extraOrdinary life is a groove oriented self-produced album, mixing sensuous basslines, emotional piano and gilli moon’s lilting melodic voice, with self-penned songs.  With an emphasis on organic, raw musical textures, gilli’s trademark “edge” is present, combining a cool rebelliousness of eclectic guitars, techno loops, live drums and world-beat percussion. extraOrdinary Life celebrates 13 brand new self-penned songs, a spoken word track and an Italian song. An ENHANCED CD, it features a 10 min “making of” video, and a 20 photo slide show embracing her album, photography which has come to visual life by Hollywood’s celebrity photographer Jim Steinfeldt (Tina Turner, Madonna, Miles Davis, Willie Nelson).